For the first time in English, a key work of critical geography

Originally published in 1978 in Portuguese, For a New Geography is a milestone in the history of critical geography, and it marked the emergence of its author, Milton Santos (1926–2001), as a major interpreter of geographical thought, a prominent Afro-Brazilian public intellectual, and one of the foremost global theorists of space.

Published in the midst of a crisis in geographical thought, For a New Geography functioned as a bridge between geography’s past and its future. In advancing his vision of a geography of action and liberation, Santos begins by turning to the roots of modern geography and its colonial legacies. Moving from a critique of the shortcomings of geography from the field’s foundations as a modern science to the outline of a new field of critical geography, he sets forth both an ontology of space and a methodology for geography. In so doing, he introduces novel theoretical categories to the analysis of space. It is, in short, both a critique of the Northern, Anglo-centric discipline from within and a systematic critique of its flaws and assumptions from outside.

Critical geography has developed in the past four decades into a heterogenous and creative field of enquiry. Though accruing a set of theoretical touchstones in the process, it has become detached from a longer and broader history of geographical thought. For a New Geography reconciles these divergent histories. Arriving in English at a time of renewed interest in alternative geographical traditions and the history of radical geography, it takes its place in the canonical works of critical geography. 

Pedro Almodóvar may have helped put queer Iberian cinema on the map, but there are multitudes of LGBTQ filmmakers from Catalonia, Portugal, Castile, Galicia, and the Basque Country who have made the Peninsula one of the world’s most vital sources for queer film. Together, they have produced a cinema whose expressions of queer desire have challenged the region’s conservative religious and family values, while intervening in vital debates about politics, history, and nation. Indiscreet Fantasies is a unique collection that offers in-depth analyses of fifteen different films produced in the region over the past fifty years, each by a different director, from Narciso Ibáñez Serrador’s La residencia (The House That Screamed, 1969) to João Pedro Rodrigues’s O ornitólogo (The Ornithologist, 2016). Contributors examine how queer Iberian cinema has responded to historical trauma—from the AIDS crisis to the repressive and homophobic Franco regime—and explore how these films demonstrate a fluid understanding of sexuality, gender, and national identity. The result will give readers a new appreciation for the cultural diversity of Iberia and the richness of its thought-provoking queer cinema.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


 

A new history of British neoliberalism that looks beyond right-wing actors.
 
The rise of British neoliberalism—a renewed emphasis on privatization and market-oriented economics—over the last fifty years is often characterized as the product of right-wing political economists, think tanks, and politicians. The Neoliberal Age? argues that this pat narrative ignores broader forces in British left-wing culture that collaborated to transform twentieth-century social life. Through a variety of case studies, the authors demonstrate that our austere, individualistic age emerged from more complex sociopolitical negotiations than typically described.  
 

Oxford Botanic Garden has occupied its central Oxford site next to the river Cherwell continuously since its foundation in 1621 and is the United Kingdom’s oldest botanic garden. Today, the Garden holds a collection of more than five thousand different types of plant, some of which exist nowhere else and are of international conservation importance.

This guide explores Oxford Botanic Garden’s many historic and innovative features, from the walled garden to the waterlily pool, the greenhouses, the rock garden, the water garden and “Lyra’s bench,” made famous in Philip Pullman’s beloved His Dark Materials series. It also gives a detailed explanation of the Garden’s medicinal and taxonomic beds and special plant collections. Lavishly illustrated with specially-commissioned photographs, this book not only provides a fascinating historical overview but also offers a practical guide to Oxford Botanic Garden and its work today. Featuring a map of the site and a historic timeline, this book is a beautiful souvenir of the birthplace of botanical science in the UK.
 

Combining the experiences of ordinary people with urban politics and history, Saving San Francisco challenges the long-lived myth that the 1906 disaster erased social differences as it leveled the city. Highlighting new evidence from San Francisco’s relief camps, Andrea Rees Davies shows that as policy makers directed various forms of aid to groups and projects that enjoyed high social status before the disaster, the widespread need and dislocation created opportunities for some groups to challenge biased relief policy. Poor and working-class refugees organized successful protests, while Chinatown business leaders and middle-class white women mobilized resources for the less privileged. Ultimately, however, the political and financial elite shaped relief and reconstruction efforts and cemented social differences in San Francisco.